No. 01 — The artist
She shapes a face — a goat, a woman, a Buddha, a vessel that holds a single bloom — and then she sets it down and shapes another. Forty years of work that asks for very little, and yet does not ever leave the room.
Mina Ouroujnejad · Marbella
No. 02 — The sculptures
Pieces that began as a lump on a wooden board — pinched, scored, smoothed, fired, sometimes painted, sometimes gilded, sometimes left in their raw earth tone.
No. 03 — Featured
Two profiles, no bodies. A single moment held in terracotta and paint — the idea of a kiss before anyone moves. The lips touch but do not press. The faces are drawn flat, painted later, kept just so.
No. 04 — The paintings
Made between the sculptures, often with the same hands that just left the clay. Faces, fish, forests — everything she has wanted to keep.
A note
“To the artist who shapes beauty — and my world. Thank you for everything, Mom.”
— her son
No. 05 — The studio
A wooden table beside a window that gets the afternoon light. Most pieces begin as a single fist of clay — a head, a vessel, a curled animal. Some are kept; some are broken back down to start again. There is no schedule.
No. 06 — Inquiries
Most works are not for sale. Some are. Write if a piece in this collection has stayed with you — or if you would like to commission something new in clay or paint.